Music: Chihiro Onitsuka – This Silence Is Mine – Single Review

“This tattoo, this preview, this heartbeat”

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Artists: Chihiro Onitsuka

Genre: Folk, Pop

Released: 18th December 2013

Chihiro Onitsuka used to have this unreal voice back in the early days of her career. Her previous albums have some of the most beautiful and haunting music I’ve ever heard, and this is coming from someone who makes it their mission to find that kind of stuff. Sadly, due to some health issues, her voice slipped into a gravelly tone, rather than that angelic instrument that gave out those soaring notes.

To compensate for the change in her vocal abilities, for recent albums Chihiro Onitsuka has produced songs with a 70s/80s rock style that’s…. different. See Anata to Science, the other song on this single, to have a good idea of what the new sound is like. Well, I’m sure fans appreciate it, but it just isn’t the same, and no-one expected another epic ballad out of this singer.

Along comes The Silence is Mine, an eery, haunting track that seeps under the skin and settles deep, to fit Drakengard 3, a game that is equally disturbing. This song is ugly-pretty. Gorgeous instruments and a rasping voice. A thumping beat, accompanied by strings builds up to reach a breathtaking finale. It feels like this could be her final song, and the purity and energy surges through powerfully. Chihiro’s vocals are raw and edgy and almost crying through those long high notes in anguish, delivering each word with such conviction that this song will haunt you for a long time. Sweeping instrumentals carry the listener through the final parts of the songs.

Now Drakengard 3 actually got released a while ago, and sadly rather quietly as a PSN Download only. The Silence is Mine was used in the trailers to promote the game, and is also the in-game vocal theme. How many people will come across the game, bearing in mind that the Drakengard series only has a cult following to begin with? How many will hear this song? To bring out one of the best songs in recent years, Chihiro Onitsuka deserves recognition. It deserves silence.

See below for previews:

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Music: Janet Devlin – Hide & Seek – Album Review

“The Creatures of The Night. Me, Myself and I.”

Janet-Devlin-Hide-Seek-2013

Artists: Janet Devlin

Age: 12th November 1994 (age 19)

Genre: Pop, Folk

Released: 3rd July 2014

I’m going through a big change in the music I listen to. Gone are the loud sounds, harsh vocals and lewd lyrics, I’m attracted more and more to soul-searching songs that feel like they explore the depths of the universe itself. There are very, very few artists that I can place within that category, and as such, they are getting a bit overplayed.

Janet Devlin is one of those singers that deserves recognition for having a beautiful voice. There is a rare quality in her young, bit-rough vocals, with it’s Irish lilt, and her album showcases her astonishingly understated vocals perfectly.

I first saw Janet Devlin on X Factor UK 2011, and in her auditions, she brought a charm and innocence to all her performances, and she’s good, very good.

Janet Devlin not only sings, but has co-written all the songs on this album. It adds that extra spark and personality to every line. Hide & Seek (obviously a reference to Imogen Heap, one of Devlin‘s influences) was first released in limited quantities last July (2013), but is set to re-released this summer.

The album explores Pop and Folk genres, and there are some upbeat songs, Wonderful, Working for the Man, that are mainstream pop. They are catchy enough, but sound hideously generic compared to quirky-piano-pop Creatures of the Night.

Walk Away, Who am I to You, Pick Me Up and the titular Hide & Seek, are pleasant songs that are perfect for putting on as background music. They don’t stand out in particular, but the feel is of good, solid, pop music. When was the last time I heard that? Probably not in a decade.

The standout tracks for me are Devlin‘s slower songs. If there is a reason to buy this album, it is for Crown of Thorns, Things We Lost In The Fire, Nothing Left to Hide, and the brilliantly haunting When We Were Young. I have never heard such a young voice sing so expressively, and against quiet accompaniment, and still move me.

There is an untrained quality to Devlin’s voice. A raw power that hasn’t grown into its own, and is so unusual in a world filled with auto-tune or power singers (and shriekers).

Not everyone will “get” her. There is a reason why she managed 5th on the X Factor, and had her album funded by PledgeMusic. However, if you love this type of sound, she is a great artist at the beginning of her career, filled with talent and great potential.

I know I am a fan.

See below for album previews:

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